After Tosca slits Scarpia’s throat, she somehow manages to conceal his body in a double bass case. This unlikely receptacle ...

Fleur Barron impressed in Kendall’s unconventional new work, while Pappano unleashed the full power of the LSO in Tchaikovsky ...

This cathartic scream of unflinching feminist rage might be the most thrilling, challenging and important album to be ...

Dieter Meier and Boris Blank are back in imperious, impish form and doing what they do best. It is hugely enjoyable to ...

Hitting the sweet spot between charm and psychedelia, these Halloween-ready tunes will make you dance with a wary look over ...

The follow-up to 2022's Here Is Everything concentrates on enjoying itself while delivering a comforting hug in uncertain ...

John Homme and co's ninth album marks a move away from their signature blunt riffs and opens the door to a mood far more ...

Thursday night saw Sinfonia Smith Square, as part of the London Festival of Baroque Music, tackle the arrangement at Smith ...

Elton John's lyricist has a fine, weathered baritone of his own, freely wearing its lines of age and experience with ...

The Hopkins sisters' debut is full of sass, humour and energy. Is this sonic sugar rush the missing link between Kate Nash ...

Strawberry Guy is the name used by Welsh-born, Liverpool-based artist Alexander Stephens for his softly delivered, ...

Bengtsson’s soaring soprano and the LSO Chorus were magnificent – but the Barbican’s limitations hampered Pappano’s Mahler ...