Commonality and Differences: Kenji Ishizaka on Asian Future at the Tokyo International Film Festival
The closer one looks at the actual, tangible world of international cinema, the more one realizes they have no coherent idea of what is going on. It's quite humbling to be at the Tokyo International ...
A pair of avant-garde pioneers are finally getting a much-deserved documentary portrait. Nathaniel Dorsky and Jerome Hiler, whose shared artistic and devotional practice has endured for more than ...
As we get closer to the end of 2026 and various critics and voting bodies collate their year-end lists and ballots, the ...
As 2026 winds down, like most cinephiles, we’re looking to get our eyes on titles that may have slipped through the cracks or ...
No single home-video release this year, by any remotely comparable margin, generated greater waves than Criterion's The ...
I would love to tell you that contact with a typhoon is a more exotic, worldly, altogether enriching experience than the more ...
The Criterion Channel's three big retrospectives for November are not director-centric, but each comprise entire film ...
NYC Weekend Watch is our weekly round-up of repertory offerings. BAMA series on female possession begins while Ken Russell’s reconstructed The Devils continues—read (or listen to) our interview with ...
An ancient demon takes the form of a glamorous supermodel in Inherit, a Thai horror film that screened in the Open Cinema ...
Every Todd Haynes movie—especially when they're susceptible to last-minute cancellations—is an event and a gift. As we await ...
Hollywood’s feted genius, chessmaster, international man of mystery; yet a simple Jewish mama’s boy, insatiably curious, who ...
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